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Video Library

Since 2002 Perimeter Institute has been recording seminars, conference talks, and public outreach events using video cameras installed in our lecture theatres.  Perimeter now has 7 formal presentation spaces for its many scientific conferences, seminars, workshops and educational outreach activities, all with advanced audio-visual technical capabilities.  Recordings of events in these areas are all available On-Demand from this Video Library and on Perimeter Institute Recorded Seminar Archive (PIRSA)

PIRSA is a permanent, free, searchable, and citable archive of recorded seminars from relevant bodies in physics. This resource has been partially modelled after Cornell University's arXiv.org. 

 

Sunday Oct 23, 2005

Howard Burton, John Stachel, Artur Ekert, Gary Horowitz, unifying, quantum field theory, superstring theory, unification, symmetry of nature, electromagnetism, gravity, Einstein, quantum, many worlds, quantum mechanics, Higgs particle,supersymmetry, quantum computers

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Sunday Oct 23, 2005
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It is well known that Einstein worked to develop a unified field theory that would encompass all of physics including (he hoped) all quantum phenomena. It is not so well known that there was \'another Einstein,\' who from 1916 on was skeptical about the continuum as a foundational element in physics, especially because of the existence of quantum phenomena.

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Saturday Oct 22, 2005
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Could the laws of physics change? The laws of physics are usually meant to be set in stone; variability is not usually part of physics. Yet contradicting Einstein\'s tenet of the constancy of the speed of light raises nothing less than that possibility. I will discuss some of the more dramatic implications of a varying speed of light.

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Saturday Oct 22, 2005
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Howard Burton, the Executive Director and chief architect of Perimeter Institute, describes the process and pitfalls of constructing a home for budding Einsteins from scratch in Waterloo. Einstein factory, Howard Burton, Perimeter Institute, Einstein, sociological factors, Mike Lazardis, IAS, research, culture, making a difference, government support,

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Monday Oct 17, 2005

The most important scientist of the twentieth century, and its most important artist, went through their periods of greatest creativity almost simultaneously and in remarkably similar circumstances: Einstein\'s special theory of relativity and Picasso\'s Les Demoiselles d\'Avignon. It turns out they were both working on the same problem: the nature of space and time and, more particularly, simultaneity.

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Sunday Oct 16, 2005

Robert Schulmann, Howard Burton, John Dawson, Einstein, moral engagement, Godel, causality, Jewish, anti-Semitism, philosophy, religion, humanitarian,

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Sunday Oct 16, 2005
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Although Einstein emerged as a leading spokesman for pacifism in 1930, his political views already underwent a major shift even before Hitler came to power in January 1933. Disappointment with negotiations at the 1932 Disarmament Conference in Geneva led him to the conclusion that the only hope of averting a major war was the creation of a strong world government.

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Sunday Oct 16, 2005
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Two of the greatest geniuses of the twentieth century, Albert Einstein and Kurt Gödel, were colleagues in Princeton during the years 1940-55. This talk will explore the contrasting personalities, revolutionary results, consonant world views, and confluent interests in the nature of time that underlay their bond of friendship. John W Dawson, Einstein, genius, Godel, Institute for Advanced Study, friendship,

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Sunday Oct 16, 2005
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Before 1919 Einstein’s political and social interests lay fallow, their moral roots unarticulated. This talk argues that it was his search for Jewish identity as a forty-year old in the years after World War I, as well as his growing commitment to Zionism, that laid the foundation for his active political engagement. We will examine the trajectory of Einstein’s ambiguous relationship with Judaism and Jewish settlement in Palestine from 1919 until the founding of the state of Israel in 1948.

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Saturday Oct 15, 2005

This talk will examine the critical period in European concert music in the years around 1900, when the first generation of modernists--including Schoenberg, Mahler, Bartok, Debussy, and Stravinsky--were forging new musical languages. These composers were not revolutionaries. All remained deeply attached to their musical pasts, to traditions of tonality, syntax, and form. But each was able to re-imagine in a unique fashion the legacies of the nineteenth century to create powerful music fully characteristic of the dawning century.

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